Nebras Hoveizavi
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  • Projects
    • How to Leave the History Behind and Refuse to Relive it Every Day? (2020-2021)
    • The Parachuter / Chatrbaaz (2021)
    • Curatorial Project : Manipulated Sceneries (2019)
    • The Dreamer (2019)
    • Sometime in January or, Maybe June (2016)
    • Does The Road Offer a Clue? 2015
    • The invisible Inner (2015)
    • Ungrounded (2014)
    • Trying to read western Press (2014)
    • Begging To Be Observed (2012)
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  • CV
  • Biography
  • Writing
    • My Dad's Sewing Machine
    • Routine
    • ​If you had studied maths, you only needed pen and notebooks
    • We no longer believe in dreams and these sorts of things
  • Working in Progress
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Picture
​I work as an artist to animate my understanding of society, philosophy, politics, and the self. Through my art, I transform observation into a language of practice, giving form to my themes.
As an observer, I bear witness. Bearing witness is not just a part of my art—it is a necessity. My work encapsulates this essential act, inviting viewers to join me in exploring and questioning the world around us.

I feel the need to cast away borders and other imaginary lines.  I have come to the realization that we are all immigrants, living temporarily in whatever land we happen to be in.  
I try to convey in my work the experience of relocation. I see that while some things in life are relatively familiar, others are completely disorienting. I seek to reflect all of these different subjects – relocation and disorientation,
The geography of memory does not consist of borders  
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NebrasHoveizavi © 2016