Nebras Hoveizavi
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  • Projects
    • How to Leave the History Behind and Refuse to Relive it Every Day? (2020-2021)
    • The Parachuter / Chatrbaaz (2021)
    • Curatorial Project : Manipulated Sceneries (2019)
    • The Dreamer (2019)
    • Sometime in January or, Maybe June (2016)
    • Does The Road Offer a Clue? 2015
    • The invisible Inner (2015)
    • Ungrounded (2014)
    • Trying to read western Press (2014)
    • Begging To Be Observed (2012)
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I work as an artist to animate my understanding; the understanding of society, philosophy, politics, and the self. The act of observing as a language of art practice creates my themes.

If I’m an observer, I bear witness and bearing witness is a necessity of art. 

I feel the need to cast away borders and other imaginary lines.  I have come to the realization that we are all immigrants, living temporarily in whatever land we happen to be in.  
I try to convey in my work the experience of relocation. I see that while some things in life are relatively familiar, others are completely disorienting. I seek to reflect all of these different subjects – relocation and disorientation,
The geography of memory does not consist of borders  
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